The Godowsky Collection, Vol.3: 53 Studies On Etudes Of Chop

Descripción

THE GODOWSKY COLLECTION VOL. 3
53 STUDIES ON ™TUDES OF FRÒDÒRIC CHOPIN AND OTHER CHOPIN ARRANGEMENTS
ARRANGED BY LEOPOLD GODOWSKY

FREDERIC CHOPIN
EDITED BY DR. MILLAN SACHANIA
THE MASTERS COLLECTION
SOFT COVER
PERFORMING ENSEMBLE: PIANO UNACCOMPANIED
INSTRUMENTATION: PIANO
NUMBER OF PAGES: 445
PUBLISHER: CARL FISCHER LLC

DESCRIPTION:
-THE THIRD VOLUME OF THE GODOWSKY COLLECTION IS PRIMARILY DEVOTED TO ONE OF GODOWSKY’S MOST REMARKABLE AND CONTROVERSIAL PROJECTS, THE VIRTUOSIC STUDIES HE BASED ON THE ÉTUDES FROM FRÉDERIC CHOPIN’S OPP. 10 AND 25. PRAISED AND REVILED IN EQUAL MEASURE WHEN THEY WERE FIRST PERFORMED AND PUBLISHED (1894–1914), THESE “STUDIES” ARE BOTH ELABORATE AND RESPECTFUL COMMENTARIES ON CHOPIN’S GENIUS BY A GREAT ADMIRER AND TESTS OF THE OUTER LIMITS OF PIANO TECHNIQUE. THE VOLUME IS ROUNDED OUT WITH THE 1899 CONCERT RRANGEMENT OF CHOPIN’S RONDO, OP. 16 AND SIX WALTZES DRAWN FROM OP. 18, OP. 64 AND OP. 70. AS WITH THE PREVIOUS VOLUMES, THE FASCINATING AND EXTENSIVE NOTES AND A BIOGRAPHY ARE BY NOTED GODOWSKY SCHOLAR, DR. MILLAN SACHANIA.

CONTENTS:
INTRODUCTORY REMARKS
PERSONAL REMARKS
ON THE USE OF THE PEDALS
SPECIAL REMARKS ON THE STUDIES FOR THE LEFT HAND ALONE
ETUDE OP. 10, NO. 1, FIRST VERSION
ETUDE OP. 10, NO. 1, SECOND VERSION: FOR THE LEFT HAND ALONE
ETUDE OP. 10, NO. 2, FIRST VERSION: FOR THE LEFT HAND ALONE
ETUDE OP. 10, NO. 2, SECOND VERSION: ""IGNIS FATUUS
ETUDE OP. 10, NO. 3, FOR THE LEFT HAND ALONE
ETUDE OP. 10, NO. 4, FOR THE LEFT HAND ALONE
ETUDE OP. 10, NO. 5, FIRST VERSION
ETUDE OP. 10, NO. 5, SECOND VERSION: STUDY ON THE WHITE KEYS
ETUDE OP. 10, NO. 5, THIRD VERSION: TARANTELLA
ETUDE OP. 10, NO. 5, FOURTH VERSION: STUDY ON BLACK AND WHITE KEYS: CAPRICCIO
ETUDE OP. 10, NO. 5, FIFTH VERSION: INVERSION, FOR THE LEFT HAND
ETUDE OP. 10, NO. 5, SIXTH VERSION: INVERSION, FOR THE RIGHT HAND
ETUDE OP. 10, NO. 5, SEVENTH VERSION: FOR THE LEFT HAND ALONE
ETUDE OP. 10, NO. 6, FOR THE LEFT HAND ALONE
ETUDE OP. 10, NO. 7, FIRST VERSION: TOCCATA
ETUDE OP. 10, NO. 7, SECOND VERSION: NOCTURNE
ETUDE OP. 10, NO. 7, THIRD VERSION: FOR THE LEFT HAND ALONE
ETUDE OP. 10, NO. 8, FIRST VERSION
ETUDE OP. 10, NO. 8, SECOND VERSION: FOR THE LEFT HAND ALONE
ETUDE OP. 10, NO. 9, FIRST VERSION
ETUDE OP. 10, NO. 9, SECOND VERSION: IMITATION OF THE +TUDE OP. 25, NO. 2
ETUDE OP. 10, NO. 9, THIRD VERSION: FOR THE LEFT HAND ALONE
ETUDE OP. 10, NO. 10, FIRST VERSION
ETUDE OP. 10, NO. 10, SECOND VERSION: FOR THE LEFT HAND ALONE
ETUDE OP. 10, NO. 11, FOR THE LEFT HAND ALONE
ETUDE OP. 10, NO. 12, FOR THE LEFT HAND ALONE
ETUDE OP. 25, NO. 1, FIRST VERSION: FOR THE LEFT HAND ALONE
ETUDE OP. 25, NO. 1, SECOND VERSION: LIKE A PIECE FOR FOUR HANDS
ETUDE OP. 25, NO. 1, THIRD VERSION
ETUDE OP. 25, NO. 2, FIRST VERSION
ETUDE OP. 25, NO. 2, SECOND VERSION: WALTZ
ETUDE OP. 25, NO. 2, THIRD VERSION: TWO DIFFERENT VERSIONS
ETUDE OP. 25, NO. 2, FOURTH VERSION: FOR THE LEFT HAND ALONE
ETUDE OP. 25, NO. 3, FIRST VERSION
ETUDE OP. 25, NO. 3, SECOND VERSION: FOR THE LEFT HAND ALONE
ETUDE OP. 25, NO. 4, FIRST VERSION: FOR THE LEFT HAND ALONE
ETUDE OP. 25, NO. 4, SECOND VERSION: POLONAISE
ETUDE OP. 25, NO. 5, FIRST VERSION
ETUDE OP. 25, NO. 5, SECOND VERSION: IN THE FORM OF A MAZURKA
ETUDE OP. 25, NO. 5, THIRD VERSION: FOR THE LEFT HAND ALONE
ETUDE OP. 25, NO. 6, FIRST VERSION: STUDY IN THIRDS
ETUDE OP. 25, NO. 8, STUDY IN SIXTHS
ETUDE OP. 25, NO. 9, FIRST VERSION
ETUDE OP. 25, NO. 9, SECOND VERSION: FOR THE LEFT HAND ALONE
ETUDE OP. 25, NO. 10, FOR THE LEFT HAND ALONE
ETUDE OP. 25, NO. 11
ETUDE OP. 25, NO. 12, FOR THE LEFT HAND ALONE
THREE ETUDES COMPOSED FOR THE METHOD OF MOSCHELES AND FTTIS, NO. 1, FOR THE LEFT HAND ALONE
THREE ETUDES COMPOSED FOR THE METHOD OF MOSCHELES AND FTTIS, NO. 2, FIRST VERSION
THREE ETUDES COMPOSED FOR THE METHOD OF MOSCHELES AND FTTIS, NO. 2, SECOND VERSION: FOR THE LEFT HAND ALONE

AND MOORE....

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